A Postdramatic Portfolio

Bicer, A. (2011) Sarah Kane’s Postdramatic Strategies in Blasted, Cleansed and Crave. Retreived from: http://www.sosyalarastirmalar.com/cilt4/sayi17pdf/1diledebiyat/bicer_gokhan.pdf

Retrieved on: 28th November 2014

 

Bicknell, S. (2011) (Re)presenting Drama: Adaptation in Postdramatic Theatre. Retreived from: http://etheses.bham.ac.uk/2965/1/Bicknell11MPhil.pdf Retrieved on 30th November 2014

 

Burger, P. (1984) Theory of the Avant Garde. Manchester University Press: Manchester. Page 1, 2

 

Eckershall, S and Schneer, E. (2006) Introduction: Japan after the 1960s: the ends of the avant-garde. Retrieved from: http://www.performanceparadigm.net/wp-content/uploads/2007/06/1eckersall-scheer.pdf Retrieved on: 30th of Decemeber

 

Jurs-Munby, K. (2009) ‘Did you mean post-traumatic theatre?’ The vicissitudes of traumatic memory in contemporary postdramatic performances.

 

Lehmann, Hans-Theis. (2006) Postdramatic Theatre. Routledge: Oxon. Page 1, 2, 4

 

Marranca, B. (2003) The Wooster Group: a dictionary of ideas. Retrieved from: http://muse.jhu.edu/journals/paj/summary/v025/25.2marranca.html Accessed: December 9th 2014

 

Pavis, Patrice. (2012) Postdramatic Theatre. Retrieved from: http://www.scribd.com/doc/243211005/Pavis-Patrick-Postdramatic-Theatre-PDF Retrieved on 23rd November 2014

 

Ulansey, L. (1984) The Theory of the Avant Garde by Peter Burger. The Johns Hopkins University Press: Baltimore

 

Figure 1. Retrieved from http://www.somarts.org/fluxus/ Accessed on 10th December 2014

 

Figure 2. Retrieved fromhttp://www.artandeducation.net/paper/marina-abramovic-presents-architectural-experience-as-critical-self-reflective-practice/ Accessed on 10th December 2014

 

Figure 3. Picture of my own